柯笠建筑 ATELIER LI

One Mu Garden, Suzhou 一亩园，苏州

2016年的夏天，我们在苏州设计了一亩园。基地选择是意境内向化的，我们想创造一个内在氛围远大于外部环境影响的园林居所。从整体布局上来说，建筑分布在基地的外围，围合形成庭园。入口设置在南面，左侧是菜圃，右侧是车库。推门进入，折线路径夹在两道墙之间，让人想起艺圃的蔷薇爬藤。经过一道路径的转折后，可在圆洞门前驻足，虽不能进入，却可以先看一眼主园之景。进入的路径仍需要由西侧先进室内，通过前厅来到主厅，抵达庭园。从整体布局上来说，建筑分布在基地的外围，围合形成庭园。入口设置在南面，左侧是菜圃，右侧是车库。推门进入，折线路径夹在两道墙之间，让人想起艺圃的蔷薇爬藤。经过一道路径的转折后，可在圆洞门前驻足，虽不能进入，却可以先看一眼主园之景。进入的路径仍需要由西侧先进室内，通过前厅来到主厅，抵达庭园。建筑的檐廊作为曲折的廊道系统，形成有趣的游走路径；一系列的天井内院层层叠套，在私密性递增的同时，室内和室外的界限也被进一步模糊。在这些天井之间，各个房间有不同的院景，形成各自的内在氛围。西北和东南的建筑做了局部二层，那些带天井的卧室和露台，增加了这个现代园林的立体之感。

In the summer of 2016, we designed One Mu Garden in Suzhou (one mu = 666.67m²). The site selected is introverted. We wanted to create a garden-residence, where the inner atmosphere is much more important than the surrounding environment. The site plan shows that buildings are distributed in the periphery，forming gardens in the center. The entrance is located on the south side with a yard for vegetable on the left and a garage on the right. When we enter the door, the path emerges between two walls, bringing the memory of the rosebush of the classic garden Yipu. After turning a corner, we arrive at a moon gate, showing a preview of the landscape of the main garden. For entering the garden, we still need to go indoors on the westside firstly, pass through the entrance hall and then arrive at the main salon. A corridor-bridge in the shape of polyline cross over the central space, dividing it into two parts, the main garden in the south and the inner garden in the north. The main garden as the public zone is more open, with the atelier on the east side facing the main salon in the west; the inner garden is more private, spaces expand circuitously to the north-east. The water of the garden is like Liu Garden, starting from the moon gate at the southmost end of the main garden, passing under the corridor-bridge, meandering inwards and finally hiding its end in a courtyard in the northeast of the site. These corridors as the circulation system form interesting paths for promenade; a series of courtyards set one by one, make the limit vague between interior and exterior spaces, meanwhile the privacy increases progressively. Among these courtyards, each room has different view, forming inner atmosphere of its own. The northwestern and southeastern parts of the buildings were designed as two-story volumes. A kind of three-dimensional appeal was add to this modern garden-villa by those terraces and rooms with courtyards on the upper floor.